This body of work explores landscapes as fragile archives — spaces where natural processes, human perception, and memory intersect. Through watercolor, natural pigments, and handmade works on cotton paper, I investigate how materials can become carriers of traces, sensations, and connections between people and their environments.
My research focuses on the relationship between image and matter: how geological forms, textures, organic structures, and layers of pigment can evoke the passage of time and reveal hidden narratives within landscapes. Rather than representing places solely as visual scenes, these works approach landscapes as living territories shaped by ecological, cultural, and emotional histories.
Working with watercolor and natural pigments allows the material itself to participate in the creative process. The fluidity of pigments, the absorption of paper, and the unpredictable interactions between layers become part of an exploration of transformation, memory, and perception.
These visual studies contribute to my ongoing artistic research on memory as a fragile archive, examining how places can preserve invisible traces and how artistic processes can create new ways of experiencing territory, heritage, and ecological relationships.
